Sunday, March 6, 2011


Mohammad Dangerfield is one of the most obvious great albums to be released in a long time. Easily the livest duo since Method Man and Redman, they are the most logical marvel team up I have witnessed in years. Their synergy has been witnessed for years as they catapulted off their “I’m Broke and Proud” duet. Still, the unity provokes a highlight of versatility that the underground enthusiast may not have noticed of them and the pop rap downloader never even fuckin knew.

To unite the brilliance of swagger and fierce righteousness of boxing legend Mohammad Ali and the brilliance of effortlessly classic one-liners of comic great Rodney Dangerfield is to bring MCing to a renewed truth. A truth that the MC, the live orator of verse, is a real person with insight and humor barred up in inspiring builds and engaging cleverness. Before Mo Danger, you may have to know of them personally to know that Rugged N Raw is truly a sincere, articulate and virtuous brother for the cause. You may also need to know that Hasan is an engaging personality who can be the spark to the jam as much as the bloodline of the revolution. With Mohammad Dangerfield, the oddity of the implied imbalance is exactly the joke. There is no imbalance. There is only one of the livest and naturally insightful albums from this next generation of great MCs.

The success of Mohammad Dangerfield is their command of the live aesthetic and transmuting that on record. The fuckin album is a party of builds, punchlines, flows and skills displayed. Wiith Hasan, an MC that holds the weight of the world in his greatest verses from “When the Guns Come Out” to “Kingdom of Heaven,” has so many places to react with anthemic verses of triumph (“Valley of the Kings”) to the builds from all of oppressions’ lenses as on the dynamic “Generation Kill” (“It’s not that I hate their freedom it’s that I hate that i have a wife and three kids and can’t feed em/ united states looks like a garden of Eden but they army’s taking potshots at the door when we leavin...”). Yet Rugged N Raw, an MC that is a master of the comedic carelessness of our poverty and free swag living, he has an incredibly paced flow that puts every word strong on the disc. His insights drive understanding home with their sardonic emphasis whether on “Generation Kill” or the great detailer of failed circumstance as he rhymes on “Break of a Star.” The interchange between them melds and blends into explosions of truly live MCing as they put the stage on wax on “Rhyme Like No One” or the concentration of that fluid, rollicking slow flow of “Truly Yours,” the strong concept songs as the anti-abortion “Unredeemed” or the battle circus of “Wrek Center.” Unlike some premature reviews, the beats immediately recognized have the familiarity of b-boy staples (“Mo Danger,” “Wrek Center”) yet are a majority of well chosen beds that multiply with the instrument of verse upon them.

Unlike many of the quality of MCs today, Hasan and Rugged really thrive in the same cipher as the greats they are influenced by. They have all the tools from the stage to wax and have the realness that we sadly stopped expecting from MCs when the 2000’s came and concessions were disguised as necessary to the realness. Mohammad Dangerfield is an album of exciting MC martial art with the depth of topical insight and thematic realness of peoples’ revolution.

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